Monday, October 31, 2016

The Politics of Halloween

For us theory nerds, Halloween illustrates conflict between essentialist and post-modern ideals. The politics of Halloween challenge the limits of free expression with moral claims against cultural appropriation. If you want to skip the next 800 words, you totes can wear an insensitive costume, but I don't personally understand or recommend it.

Decrying cultural appropriation is rooted in Marxist and essentialist theories. Marxism offers that culture is owned, rather than participated in, and essentialism adds that cultures self-reproduce by creating immutable stereotypes of themselves. 'Cultural appropriation is always bad' because culture is a product of labour that can/should be owned by it's "rightful" creators, who are "authenticated" by stereotypes. "This is what X people and do and look like, and you are not X people. You don't have the right to look or act like X people."

Post-modern theory defines culture as a set of practices that defines a group. More accurately than other ideas, post modernism states that culture is participated in, not owned.

Critics of cultural appropriation invoke the 'everything is blackface' approach, which, in the most ironclad irony, is culturally appropriated. Let's take a second to talk about the uniqueness of blackface. Blackface was a performance element that culturally maintained black subjugation. The practice has a specific North American history, and it is widely understood as a glorification of black slavery and suffering.

Transposing the history of blackface onto other imitations is both inaccurate and insensitive. "Redface", "yellowface",  and "brownface" are not at all the same as blackface. These imitations are not tied to the history of transatlantic disenfranchisement and slavery that black people survived. If these imitations offend your sensibilities, articulate why without appropriating the unique context of black North American history for your convenience.

Lest we forget that race is a white idea that is/was carved into 'truth' by colonial violence. It seems people are easily offended by the performance of race because they are uncomfortable with the idea that race is a performance.

Halloween costumes are created and worn to elicit three reactions: sex appeal, respect for artistry, and humour. North American obsession with 'the funny costume' is likely a result of humour being the least embraced motivation of dress in everyday life. With the broad uptake of 'the funny costume', humour's relativity manifests in a vicious politics of Halloween.

Costuming that mocks social characteristics (race, gender, religion, ability, poverty, etc...) is not acceptable. Neither are costuming practices that re-create themes of historical racism and disadvantage. Difference and disadvantage are not fodder for jokes. "Drunk Indian" and "suicide bomber" are obviously racist costumes because they mock race, religion, and idigeneity. But what about when a costume falls short of mocking and only imitates? And what if that imitation is specifically to represent a fictional or historical figure?

Ellen DeGeneres as  Nicki Minaj.

Culture as costume is a shitty costume. I may not call you racist, but I would call you lazy. "French" or "Japanese" or "Native" costumes that aren't satirized or fetishized just state stereotypes with no punch line. It's like walking into a new mixed crowd and saying "so, I hear Asians are good at math". You're likely not a bad person, but you might be hella awkward.

I have absolutely no problem with character costumes (cosplay). If you love Mulan, be Mulan, but again do so in a respectful way that doesn't mock or fetishize an entire group of people.

Cultural appropriation is a neutral process wherein discourses are re-created without concern of origin by and between distinct groups of people. There are both positive and negative outcomes from the spread of democracy to corporate plagiarism of indigenous designs. The clandestine nature of cultural appropriation is why the intent of a costume must be interrogated, and why I choose to zero in on culture costumes that mock and fetishize.

Zealous critics of cultural appropriation overreach and end up committing the 'isms' they decry. Caitlyn Jenner and "transface" drive the problem home.

In 2015, the Caitlyn Jenner costume call out misplaced transphobia. The camp saying you just shouldn't do it refuses the possibility that anyone could want to dress as CJ without out intentionally mocking her. While I don't really like CJ, I assume someone must. Ignoring this possibility reduces the inaccurate context to "dressing as Caitlyn Jenner is de facto transphobia". 

Further, It's totally OK to mock celebrities for their own shortcomings. There's a line, however, when celebrities are mocked for their arbitrary social characteristics. If you genuinely appreciate CJ, or if your costume is smart enough to mock CJ for something other than her gender diversity, give'r.

Caitlyn Jenner being mocked as a Republican and wealthy evader of vehicular manslaughter charges.
CJ has said herself that she's not offended by the costume kits that were sold. So we have a situation where the group of people denouncing transphobia are actually enacting it. Activists denied CJ full participation in her celebrity status solely because of her transness.

The difference between a lazy costume and a racist costume is intent. Culture costumes are not carte blanche for toxic call outs; they are a starting point for a complex dialogue about colonialism and power relations.

Halloween is rife with offence. People offended by costumes. People offended by censorship. People offended by public displays of bodies and sex. On Halloween and in life, we need more understanding and less judgement.

Happy Halloween!

Friday, October 28, 2016

Merge or Bust

Justin Trudeau's ongoing popularity is sucking the air of out the Canadian left. Internal conflict has ripped open wounds in both the Green and New Democratic Parties of Canada, and it's time we solve two crises in leadership with one leader.

After their devastating loss in 2015, the NDP tossed Mulcair and set the stage to battle for the social democratic soul of the party. The Leap Manifesto was accepted for study by the federal NDP, much to the chagrin of their centrist governing Alberta wing. The celebrity-endorsed Leap Manifesto is a non-partisan policy doctrine that articulates a succinct socialist and ecologically conscious direction for Canada.

Notley New Democrats are ardent that a party of gradualism is the only way forward. The Leapers want a party of principle.

In Alberta, New Democratic centrism means electability, but there's no air in the centre of the federal political spectrum. Notley New Democrats are sandbagging the federal party's grasp on relevance. The New Democrats are having a hard time finding a leader. The race to replace Stephen Harper has eight candidates; eight more than the NDP has. Speculations of the NDP's collapse have been published in the Globe and Mail and on Steve Paikin's TVO blog.

The Green Party also finds itself plagued by internal conflict. Greens are fuming about Elizabeth May's audacious resistance to a democratically enacted party position to support the BDS campaign. Elizabeth's May's leadership is flailing.

With the adoption of the Leap Manifesto looming, The NDP will wade into Green Party policy. The Greens are already consistent with the majority of Leap Manifesto.

The present is the best set of conditions organizers have ever had to unite the left in Canada. Two parties are in disarray and a cohesive set of common ground policies gaining traction. For the good of progressive movements in Canada, we need to break up with centrist New Democrats and unite the Green and New Democratic partisans under the principles of the Leap Manifesto. 

The Green Democratic Party has a nice ring to it.

Wednesday, October 5, 2016

Drag is not Impersonation

Unless it's cosplay, drag is not impersonation.

Stop saying it. Stop thinking it. It doesn't come from a good place.

Drag is a performance - of femininity, androgyny, masculinity, sexuality, raunch, comedy, dance, theater, makeup, and costume. Drag makes the illusion of gender visible and undeniable.

The "drag as impersonation" mentality shows how shameful discrimination and flagrant hypocrisy live in queer communities. Drag queens do not "impersonate" women (or even worse "females" - gag), who are not a homogeneous immutable set of stereotypes.

To impersonate, there must be a person to imitate. Be Xena or Harley Quinn or Lady Gaga. That's impersonation.

Zayn Malik in drag - Best Song Ever Video
Drag as impersonation insists that the gender binary is a useful tool reestablishing hierarchy anew. Men who impersonate women and women who impersonate men have the grandest titles of Queens and Kings. These social status markers are the product of exclusivity via exclusion. Who gets to call themselves a drag queen or king is policed like the G20.

When drag events exclude cis/trans women and gender non-conformists for ideological reasons, an unreasonable demand of information about the contestants bodies is (im)posed. Drag as impersonation justifies event organizers insisting on their right to "sex test" their participants.

Drag as impersonation is gay rape culture that perils mostly women. Once again, men are determining the value of women's bodies and doing so by insisting on their authority to know about them.

It takes concerted sexism to choose to enforce a definition of drag that (re)creates binary gender. In each instance, equality is actively chosen against, rationalized by a logic of rape culture. The proponents of drag as impersonation preclude gender diversifying drag as an art form and cleave queer communities by choosing tradition unreasonably over equality.

Let's just all get along? K.